The background of the short story, The Novel of the Black
Seal is a lot older, a lot weirder, and a lot more fun than I expected.
Arthur Machen is not as well known now as he was originally,
but he was a highly influential author of the Weird Fiction genre. His important short story, The Novel of the
Black Seal is a portion of an elaborate overstory or nesting novel, The Three Imposters, published in 1895. I’d like
to leave the rest of the book alone and focus on just one story, The Novel of the Black Stone in this blog article.
My first exposure to the Machen’s book, The Three Imposters was from the Ballantine Adult Fantasy series of books when it released an affordable reprint in 1972. The series was a real boost to average fans that wanted above average fantasy books but couldn’t afford or find costly, rare editions.
Arthur Machen’s works have had a powerful influence on many
writers and quite strongly on H. P. Lovecraft, who cites Machen in his Notes on Writing Weird Fiction as a great author along with Lord Dunsany, Edgar Allan Poe, Montague R. James, Algernon Blackwood, and
Walter de la Mare.
As you will
note in HPL’s Notes on Weird Fiction, he states:
“One
cannot, … present an account of impossible, improbable, or inconceivable
phenomena as a commonplace narrative of objective acts and conventional
emotions. Inconceivable events and conditions have a special handicap to
overcome, and this can be accomplished only through the maintenance of a
careful realism in every phase of the story except that touching on the one
given marvel.”
The careful
placement of the “single marvel” in this particular story (which is part of a larger story) is a small black stone, which cannot to be taken casually by any
means. One way to do this is to embed
your single marvel, in this case a seal stone of great antiquity and evil, into
the fabric of reality and history by having it written about by previous
authors, preferably real, but they can be fictional as well. In some cases, the reference book itself is
the marvel, such as the Necronomicon.
The Sixtystone or Black Seal in the story is very
masterfully borrowed from the 2nd century Roman writer Solinus, who
refers to a stone called the Hexecontalithon in his writings. Machen carefully misquotes the original
work, Caii Julii Solini
de Mirabilibus Mundi to add depth and to move locality of the story from
Libya to England. This embeds the
historical cited Sixtystone with accompanying text and author into Machen’s universe
quite deftly. Machen makes no secrecy
about the lifting, giving the original author’s name and the source. It’s all in good fun anyway.*
Machen’s rework of Solinus is quoted from The Novel of the
Black Seal:
"This folk," I translated to myself,
"dwells in remote and secret places, and celebrates foul mysteries on
savage hills. Nothing have they in common with men save the face, and the
customs of humanity are wholly strange to them; and they hate the sun. They
hiss rather than speak; their voices are harsh, and not to be heard without
fear. They boast of a certain stone, which they call Sixtystone; for they say
that it displays sixty characters. And this stone has a secret unspeakable
name; which is Ixaxar."
Along with the Sixtystone being taken from ancient writings,
the title of the main book itself, The Three Imposters, may be a direct
reference to another book of great age, the Treatise of the Three Imposters,
itself a hoax book, which (in many modified forms) has been circulation for
centuries. Both Solini de Marabilibus
Mundi and The Treatise of The Three Imposters had been in circulation for
centuries and available in a number of print editions in England. I have to wonder if anybody sees the possible
connection between the two books called The Three Imposters, one published in
1895 and the other circulating in manuscript form since at least the
1200s.
Did Machen use the title The Three Imposters as a nod to the
earlier esoteric book of the same name?
It certainly looks likely, although I have not downloaded or read the
medieval version of The Three Imposters. Like the
Necronomicon, The Treatise of the Three Imposters is considered an imaginary or spurious book in a blog post at
Languageandthat.com.
While considering all the in jokes, the transparent
borrowings, and the scholarship required to spot them, consider that the
Sixtystone is referred to as a black stone by Machen, but not Solinus – which
may be an oblique reference to another black stone, which is real and located
in the Middle East. But also consider
it may be a play on the name of a contemporary writer of weird fiction with
Machen (and also cited by HPL in Notes on Weird Fiction) Algernon Blackwood. It’s hard to say for sure, but it is
interesting to note the multiple use of layers in Machen’s The Three Imposters,
especially looking at the stories within The Novel of the Black Seal. It’ll certainly take a some scholarship to
unravel the puzzle.
Consider also that IXAXAR, may be a play on ΙΧΘΥΣ (fish in
Greek) which was a secret symbol from early Christianity, dating to the first
century, the same period as Solinus wrote.
But I don’t want to jump too deeply into religious waters for concern
about offending and a lack of serious scholarship on my part in this
matter. Machen would appear to be both
serious and playful at the same time.
Another idea that may just be coincidental is that there are sixty
stones at Stonehenge. Once you start
the association game, it’s hard to stop.
Another anchor into history for the story and the Sixtystone
is the Sumerian’s and later the Babylonian’s use of a sexagesimal, (base 60)
numeral system. This works well linking
the Sixtystone into another culture and body of researchable data. Interestingly, we still use many of the
Babylonian’s base 60 concepts like the 60 minutes in an hour & etc. Solinus would have been quite familiar with
the system himself. The great thing is
that with a well-imbedded artifact is that the more you dig, the more
associations or coincidences you find.
The accidental associations weave themselves automatically into the body
of works, supporting the whole, even though the author may not have been aware
of the association. Coincidence can be
an author’s friend, as long as it doesn’t become a forced literary cliché.+
As a side note, Robert E. Howard did a short story called the
Black Stone (pub Nov 1931), which is supposedly set in the Lovecraftian
universe. So everybody has had a shot
at the title. For Howard fans, here’s a nice article
about Howard’s debt to Lovecraft. http://www.crypt-of-cthulhu.com/borrowerbeneath.htm
Certainly Machen’s association with mysticism, theosophy,
and neo-romanticism and it’s associated interest in pagan and pre Christian
beliefs lends some credence to these theories of literary association. Eventually, Machen purposeful
mistranslantion of Solinus’ work made its way into texts of modern esoteric
teachings, bringing the farce full circle.
It’s much like Lovecraft’s imaginary Necronomicon becoming esoteric
canon. See the article by Christopher Josiffe in the links section at the end of this post for more
information.
One more quick aside:
If you are still following this, you prop making fans might check into
the Cyrus Cylinder, as fodder for thought, although that is clay not
stone.
The power of Machen’s mythmaking power is quite evident in
his creation of The Angels of Mons from a 1914 story, The Bowmen, later
released as a book of short stories, The Bowmen and Other Legends of the
War. Machen explained the story was
fictional, but the more he protested, the more people believed it was
real. I have to wonder if there is a
link between this WWI story of ghostly protectors and the raised dead
protecting Britain from invasion in WWII in the movie, Bedknobs and Broomsticks
of 1971. But that’s for someone else to
ferret out. Additionally, see this
article on AbeBooks.com about Machen’s mythmaking and the Angels of Mons: http://www.abebooks.com/books/gothic-horror-non-fiction-angels-mons/arthur-machen.shtml
What really got this whole thing rolling was a Sixtystone prop posted
on Propnomicon’s outstanding Cthulhu Mythos prop making site a good while
back. It got me interested again in
Machen and rekindled my old interest in cylinder seals. I did a little digging and as usual, things
got wonderfully out of hand. The result
is this blog article.
Arthur Machen’s writing prowess continues to influence
readers, writers, makers of props, and esoteric authors. His works influenced writers from Lovecraft
to Steven King, as well as Robert E. Howard, Clark Ashton Smith, Frank Belknap Long,
and James Branch Cabell. By the way,
most of these authors had stories and books appear in the Ballantine Adult
Fantasy series. Machen also influenced
other authors outside of the genre such as Jorge Luis Borges with his magic
realism and even writers of mysticism Aleister Crowley and Kenneth Grant
owes a debt of gratitude to the writings of Machen.
Machen was also an originator in what would be later called psychogeography,^
due to his writing about the interconnectivity between landscape and
imagination. Along that line, you might
also check out my previous post on William Hope Hodgson who was another influence
on Lovecraft and his Dreamlands. The
problem with imaginary lands is that you introduce the great possibility of
unreliable narrators, in which The Three Imposters is rife at multiple levels. But that's part of the fun.
Hopefully this information dump will make you want to follow
the links and enjoy the ride or do some follow-up work in places I have only
touched. Many of these referenced
authors were contemporaries and friends so cross pollenization is
inevitable. They certainly influenced
each other and molded our ideas about fantasy and horror today. I hope you will be intrigued to enough read
a few of the different cited authors’ works.
The great thing is that many of them are available for download for
free. See the links below.
CoastConFan
Footnotes
*More contemporarily, take a page
from NCIS Special Agent Leroy Jethro Gibbs’ Rulebook: Rule 7, "Always be specific when you lie.”
+(Op Cit) Keep in mind Gibb's Rule 39 and
of course, while writing Weird Fiction, remember his Rule 45 also applies. Good detective work has much the same rules as being a good
writer.
^Psychogeography has strong links to ley lines, earth
mysteries, and chaos magic. It also is
linked to magic realism and other techniques used in fiction writing.
Additional links of interest
Download these books for free from Project Gutenberg by
Arthur Machen
The Three Imposters, (1895) which contains the story The
Novel of the Black Seal http://www.gutenberg.org/ebooks/35517
The Great God Pan (1894)
http://www.gutenberg.org/ebooks/389
The House of Souls (1906)
http://www.gutenberg.org/ebooks/25016
The Terror (1917) http://www.gutenberg.org/ebooks/35617
The White People (1899, pub 1904) by Machen
The Shining Pyramid (1895) http://gutenberg.net.au/ebooks06/0606971.txt
Also Famous Modern Ghost Stories (1921) with Machen stories
inside http://www.gutenberg.org/ebooks/15143
Arthur Machen Gallery of book covers: http://web.archive.org/web/20080514193504/http://www.cafes.net/ditch/macgal.htm
Article about Machen’s weird fiction http://thequietus.com/articles/08758-leave-the-capitol-the-weird-tales-of-arthur-machen
An article about Machen in the Spanish language http://vagabundosdeldharma-jmt.blogspot.com/2011/03/arthur-machen.html
A gallery of Machen book covers http://web.archive.org/web/20080514193504/http://www.cafes.net/ditch/macgal.htm
A link to a good article by Christopher Josiffe is just
below, about the Sixtystone and Machien’s use of Solinus’ writings. Josiffe’s makes use of Arthur Golding’s
English translation of Solinus from the late 1500s makes for really good
reading, but also note in this article, tracing of the Machen of Solinus
mistranslation making its way into modern esoteric writing. Fun stuff.
http://www.academia.edu/1476885/Some_Notes_on_Machens_Sixtystone or
For those interested in a 1904 English translation of the 1716 French edition of De Tribus Impostoribus, (1230), AKA The Three Imposters, a download is available here: https://archive.org/details/cu31924029093320
Robert E. Howard's The Black Stone, available for free download: http://www.feedbooks.com/book/1666/the-black-stone
I really don't know the answer and I'm certainly not a Machen scholar. But my personal guess is that "Professor Lodge" refers not to a person but to a theosophist lodge or other occult gathering/community. Additionally the term "professor" here may refer to the head of the lodge or just there to throw people off. Machen was well read in esoteric works and had a good sense of humor as well.
ReplyDeleteI do appreciate the input.
UPDATE: On rethinking over your question tonight, I might have a less esoteric answer than the previous. We might consider Sir Oliver Lodge, a famous British physicist who might be the Lodge Machen is referring to, although I find to be a bit obvious for someone as mischievous and intelligent as Machen. Then again, Oliver Lodge was fairly well known as a spiritualist and interested in telepathy. He was also supposed to be a member of The Ghost Club starting in the 1880s, so it’s possible that Machen may be referencing a real person after all, but it it’s just a bit too obvious, or perhaps I am just wanting things to be more complex than they really were. Nonetheless, it’s fun stuff.
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